All the love for Lynda Day. One of my friends has one of her with the caption 'Bitch Editor from Hell' (which is also straight from the show <3).
It's a brilliant show, but what I found fascinating is watching Moffat develop. It starts as a more or less straight-forward TV show, and by the end we're completely through the looking glass - dream sequences, dead people acting as conscience, time skipping back and forth (with minimal guidance, the viewers are supposed to be able to follow), EVERYTHING GOING UP IN FLAMES and choose-your-own-ending, and everything is ambiguous.
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It's a brilliant show, but what I found fascinating is watching Moffat develop. It starts as a more or less straight-forward TV show, and by the end we're completely through the looking glass - dream sequences, dead people acting as conscience, time skipping back and forth (with minimal guidance, the viewers are supposed to be able to follow), EVERYTHING GOING UP IN FLAMES and choose-your-own-ending, and everything is ambiguous.
♥ ♥ ♥