thisbluespirit: (jeremy northam)
[personal profile] sovay asked me some more film meme questions when I complained about the questions in the other film meme making me talk about my A-Level film watching. I have managed to post my answers to these in less than a month after being asked them, so go me. And thank you [personal profile] sovay! <3

1. A film you watched for a favorite actor (of any gender) which you would not have sought out otherwise?

I wasn't really watching film for a long while, because I couldn't, so only my faves forced me back to it, and made it possible again, so it would be true to say nearly everything I've watched since about 2011. But here is one for each of my faves that have sufficient films in their cv to make it worth nominating one:

a. Dean Spanley (2008), because it's so obscure, and even if I'd stumbled over it in some other context, the very quality of the cast would only have been a warning sign, because it'd have to be terrible to still not ever have pinged my radar, or, afaict, anyone else's that I knew. But the Jeremy Northam tumblrs were enthusiastic, as were the 2-3 others who had actually seen it, so I sought it out, and I'm so glad I was finally able to snag a DVD because they were right - it's an oddity, but it's also a gem.

b. Girl On Approval (1962), which is a lesser New Wave/Kitchen Sink installment that starred Rachel Roberts with my man James Maxwell in the supporting role as her husband. I have a fascination with New Wave, brought on my Media Studies tutor who haunted the other post - we watched Look Back In Anger, Man at the Top & Saturday Night, Sunday Morning (& I also, long before, watched half of A Taste of Honey in my first year at secondary school. Only half was because that was when I first had ME/CFS). This gave me a deep, enduring and entirely grudging fascination with this brand of TV/Film, but also an appreciation of Rachel Roberts, who is amazing.

This is written by a female writer, about two main female characters, and it was the first UK attempt at a realistic film about fostering/social care etc, and I find it fascinating and well done, and worth a look if you have a similar interest in these kinds of films, social history of the era, or Rachel Roberts. (I can also attest it is well worth it for some of the earliest surviving non-fake-hair-assaulted James Maxwell, even if he is not in Rachel Roberts's league.)

c. If I had ever looked at The Lady Vanishes (1938) properly, I would no doubt have always have been taken with the summary, but I'd not got on with old films before then, so it was only watching Margaret Lockwood in 1970s TV, loving her in that and looking her up, that made me actually try it. It was a complete delight, and I've really enjoyed trying lots of 1930s & early 40s films I've watched off the back of that since, whether with or without Margaret Lockwood. I've still got a mixed track record with all-time Hollywood classics, but at least I know there are some things out there I do like!


2. A film you wish had been made with one of your favorites?

I'm not sure whether this is a role swap - this film would have been better with James Maxwell in it! - or a non-existent film they should have made with a favourite actor. I shall answer with something that is simultaneously both, in a way.

BBC Radio's 1991 'Christmas at the Wells' season of Victorian plays was great, but of all radio things I've listened to, the one that most made me pine for a live-action version was their London Assurance with Jeremy Northam as Dazzle. Someone should instantly have grabbed all the cast that could reprise their roles in visual format, or at least Jeremy Northam, and made them do it in a film, or a one-off TV thing. There is no film version of London Assurance, so it'd have been a general service to humanity anyway. I need to relisten to this, because I was new to it, but Dazzle wanders through it, idly bluffing and obliviously causing plot to ensue for everyone else, and I really really wanted to see him. It's set in the 18th C, so there would also have been excellent costumes. I am glad we had the radio, though.

(I loved The Schoolmistress even more but while I would enjoy a live-action version of that, too, it couldn't have Jeremy Northam as he was too old to play a 17 yr old even in 1991, except on radio, lol. Besides, it worked perfectly in that format, so I can just relisten to it anytime I wanted and be quite happy. Although it's such fun, someone should give it a go sometime. The world is always in need of an extra cheerful thing.)


3. A film it surprises people that you love?

See my below answer about me maybe not being the person to judge this - I feel most films I love are obviously films I would love, but then I would. I suppose, to go back to my previous film meme post, people are understandably surprised when I tell them that Schindler's List is probably my favourite film. (I prevaricate unless I feel like explaining my whole totalitarian regimes history story yet again, which I don't always.)

People do get surprised sometimes about that anybody likes the Star Wars Prequel trilogy best, I suppose; and I do! (I'm not alone by any means. ;-p)


4. A film you feel it should be completely obvious that you love?

All my films I love seem pretty obvious choices - to me, at least! But I read the description of The Lady Vanishes (1938) and went "that sounds like almost everything I like in one film" and it really was. The Winslow Boy (1999) was so obviously catered to me that I've been nearly watching it for years and it was first on my list of Jeremy Northam films to get, even if dodgy DVDs delayed it. Gosford Park was super-inevitable in so many ways. Watching The Mummy (1999) in a cinema in Aberystwyth (with wet feet, because I forgot you don't mess with the sea in Aber) was insta-love for multiple reasons, chief of which was A Librarian Heroine. *heart eyes*

idk, all my likes seem painfully obvious to me, but no doubt I'm more inexplicable to other people. Well. Occasionally, perhaps?

Have YOU been shocked by me liking a film??? Do I need to explain myself? I expect I will be very happy to do so.


5. A film you wish had been a television show?

A lot of book adaptations really need a TV serial format to do the book justice. I've been blanking on a particular example for 2-3 weeks now, though. But it'll definitely be some frustratingly over-lite classic lit book adaptation that missed something vital. I think lots of us round here know that feeling!

Film Meme

8 Aug 2024 09:08 pm
thisbluespirit: (margaret lockwood)
I picked this up from [personal profile] scifirenegade, and apparently it's taken me a month to answer the last couple of questions and tidy it up, so most of this I wrote in July. Also, I was all: yay! A film meme, and I've actually watched good films recently, so I shall not have to resort to all the very weird things I watched as a teenager... and then every other answer was still one of those things. (I'm so sorry. My A-Level tutors have a lot to answer for.)


Cut for a very long set of questions )
thisbluespirit: (margaret lockwood)
[I started this post in July 2018. I feel perhaps I should finish it before I have no memory of anything I watched any more. I already couldn't remember the things I watched in June when I wrote it, so expect even less sensible comments than usual.]


... or some of it, anyway. I have been recording films off the TV a lot lately, especially since I discovered Talking Pictures, which is a good enabler is you're into old British films (and TV). Some modern things may get in, too. I do watch them. I just don't always talk about them.

Films under the cut before I forget them all )
thisbluespirit: (margaret lockwood)
1. [community profile] tardis_library seems to be starting off well, so I am pleased! I've nearly finished all my pimping now, you'll be relieved to know (sorry!) - but if anyone who hasn't already and is into Doctor Who or knows a few people who are could still pimp it on their journal or anywhere else that seems appropriate, I'll be very grateful! c+p banner coding here for LJ/Dreamwidth:



With even more thanks to anyone who is kind enough to reblog this tumblr post for it. (The couple of people who have - thank you, it made a big difference. It's just there's no way for me to do the rounds myself there and I am entirely reliant on other people reblogging, so any help there is marvellous. thank you thank you.)


2. I don't know if it's a new Freeview channel, or just one that my TV Guide has deigned to cover now or what, but there's a channel full of very old films called Talking Pictures, which has just provided me with some more Margaret Lockwood in the shape of Hungry Hill (1947), an adaptation of a Daphne du Maurier book (from the days when Daphne du Maurier was still around to help with the scripting). I'm now nearly through it, and some more Margaret Lockwood being headstrong in big frocks has been very welcome!

Tomorrow, I see that it will be showing The Wicked Lady (and no doubt some other days this week), so, if you are also in the UK and want to see Margaret Lockwood and James Mason galloping about being highwaymen you should watch. It is not quite as fab as The Lady Vanishes obv. but it is excellent OTT melodrama with cross-dressing and villainy and shenanigans and also the lovely Patricia Roc. (Plus it's clearly the inspiration for a lot of the DW ep "The Woman Who Lived" too. Watching them close together is quite the experience.)

Via tumblr, some pics of Margaret Lockwood in Hungry Hill, big frocks v much included.

(And Drama are also starting showing Juliet Bravo from tomorrow (an early 1980s series about a female police officer policing Up North (but not pretty like All Creatures)). I like having my terrible elderly-TV/film watching habits enabled like this. I don't remember the early series(es) so well as the later ones with Anna Carteret, but I think Chris Boucher was script editor for 1 or 2 or the early ones, so naturally, I'm interested, especially in any eps he wrote for it. (I'll check IMBD).)
thisbluespirit: (b7 - dayna)
1. There is a post-Yuletide friending meme going on here. (For all those interested in small fandoms and having new friends and not solely for those who took part in the exchange.)



2. [personal profile] sallymn picked three of my icons to talk about for a meme. All three of her selected icons were made by me:



This is Lynda Day from Press Gang, as played by Julia Sawalha, one of my formative influences (as anybody who's been subjected to long babbly comments on the subject over the years will know). She is editor of the Junior Gazette and dictator in the making, and "Fearless Editor" is what (I think) Spike calls her sometimes in the series, so it made both a good PG/Lynda icon and a generic writing one. (The icons I have now have to mostly have combined functions.)

(Press Gang was the first thing Steven Moffat did and I still think, in many ways, that it remains the best, and it is amazing and well worth checking out and not being put off by it being a teen show. It may be, but it was also one of the most remarkable UK TV shows of the 90s. /climbs down off sales pitch box*)




I got into Margaret Lockwood a while back and this is one of a bunch of icons I made from publicity shots. This one is still probably my favourite, but I might possibly swap it round. I use it for when I'm talking about films, even if they don't have Margaret Lockwood in, though that is naturally a sad lack. It also works as a sort of generic/neutral 'pretty' icon.




And this is Silver from Sapphire and Steel, as played by David Collings. He is the shiniest Element and I love him and made a lot of icons. (Photobucket has eaten all the links, but I still have them saved. I should put them all back up, I suppose!) I really like the scene where he steals the door handle and made a few icons out of it. My favourite one I had as a default for a while, but this was more neutral and multipurpose. I should probably try and get a Sapphire-Steel-Silver icon now that I can only have space for one S&S one, but I love Silver and also it doubles up for stuff to do with weird things, technical things, and other stuff with David Collings in, and any time I need to say "oops" or "sorry". (David Collings is always highly entertaining.)


* Like Lynda, I'm short, I need a box.
thisbluespirit: (margaret lockwood)
I find this post has been lurking in draft since the end of June, so I think it's about time I posted it, really. I've watched a fair bit in summer and posted less than usual. Anyway, this is a post of various Old Films.

I got another Ealing Rarities collection (Vol 2) for my birthday, and this one was a bit of a disappointment compared to the previous installments. It contained Midshipman Easy (1935), Brief Ecstasy (1937), The Big Blockade (1942), and The Four Just Men (1939), and this post has been lurking mainly because I couldn't think what to say about Midshipman Easy, but I shall solve that by not bothering. The rest of this post I wrote two and half months ago, as is:

Brief Ecstasy was... well. Couple meet for one evening, the guy is a pilot and v stalkery (because he only has one evening), then he flies off somewhere round the world and sends a telegram asking her to marry him (it was a really great evening, okay), which she doesn't get. So, she gets a science degree, but then marries her science professor, who persuades her to go stay at home, because men are basically rubbish, possibly, I'm not sure what else it was trying to say. More under here )

Disc 2 contained a WWII propaganda film (Big Blockade), which I didn't feel like watching, so I moved onto The Four Just Men, which was really enjoyable until the last twenty minutes when suddenly it broke into an unexpected burst of rabid patriotism. I can't blame them too much, because 1939, obviously, but it does feel so off in tone from the rest of it that I can't help wondering if war was declared when they were halfway through making it and they felt obliged to suddenly alter the ending to be properly supporting the war effort. It's all: la la la shenanigans shenanigans WAIT NO I LOVE THE LITTLE COUNTRY LANES GOD SAVE THE KING AND THE BRITISH EMPIRE THE END and Anna's Lee's reporter character fades away in the blast of it. (The first 2/3s are fun, though.)

However, I was particularly amused when one of the four just men (who was an actor) decided to impersonate the evil MP and give a speech in Parliament. It was all v well done, but the MP in question was played by Alan Napier, who was nearly twice the height of everyone else in the 1930s. (IMBD says he was 6"6 and I see no reason to doubt it in this case). It wasn't quite as excellent as that time Patrick McGoohan decided that of all the random impoverished artists in 60s London he was going to impersonate, he should pick David Collings, but it was pretty close.

(Nobody noticed in either case. You have to worry about TV/film people sometimes.)


I also finally got The Stars Look Down (1940) film starring Michael Redgrave and Margaret Lockwood and directed by Carol Reed, set in a small mining community in the north east. What could possibly go wrong? More under here )

Happily, in between all this, I recorded Pride & Prejudice (1940) off the telly, and this was pretty much an unmitigated delight, although I was rather taken aback by the ending where it suddenly veers sharply away from the book into blink-inducing crack. My least favourite part of this being that Lizzy neither has a letter from Mr Darcy, nor visits Pemberley and thus changes her mind after... er... well, Mr Darcy does get to say some of the letter's content in their argument? Plus, she fancies him. (Fair enough, I suppose.) AND THEN LADY CATHERINE WAS IN CAHOOTS WITH MR DARCY AND EVERYONE GOT MARRIED AT ONCE. EVERYONE. Well, not Lady Catherine but if they'd had one more minute, probably.

However, it truly was a delightful thing and now it's joined the ranks of films that I recorded off the TV to save buying but now clearly need my own copy of anyway. Also I said nobody would ever displace Benjamin Whitrow's Mr Bennet in my heart (the true reason P&P 1995 is forever my favourite) but this one had a very good go at dislodging him by casting Edmund Gwenn (frequently one of the best things about any given 30s film he's in, as far as I'm concerned).
thisbluespirit: (margaret lockwood)
I've taken part in the last two challenges for [community profile] iconthat - you make three icons for the comm, but I had trouble narrowing it down, so here are my challenge entries, plus a few extra for each.


Teaser:

 photo happy1_zpsbylnnmap.png  photo bank8_zps5kzur0ss.png  photo love3_zpsbvm7rc64.png



The rest of the icons under here )
thisbluespirit: (Default)
I am a bit tired for proper posts (partly for good reasons, too!) so have some gifs of a young Margaret Lockwood in The Beloved Vagabond (1936) with Maurice Chevalier. She was probably still 19 when they filmed it.

Gifs under here )
thisbluespirit: (Default)
Deciding on what to icon next takes far longer than making icon sets... Anyway, I remembered that I wanted to cap and icon some of the Margaret Lockwood films and as this set was clearly meant for The Wicked Lady (1945), that's what I did. (Featuring Margaret Lockwood, Patricia Roc, James Mason, Griffith Jones & Michael Rennie.)

Teaser:

 photo caroline1_zpscpzef4l7.png  photo kiss1_zpsuraweuks.png  photo ac3_zpsk8v8yh9i.png

Why did you shoot that horse? I'd rather kill a man any day! )

Credits: Screencaps my own. Textures by tiger_tyger. The usual rules apply: want, take, have, credit. Comments = ♥ and hotlinkers will be shot down like a dog on the highway.

Updates

26 Oct 2015 05:29 pm
thisbluespirit: (b7 - deva)
1. In Yuletide, I see that TWO people have offered the 1968 Dracula. I am all faint with the shock. I would have been matchable with just my three nominated super-obscure fandoms! (But possibly difficult.) In celebration, I removed one of my other requests. I was worrying about maybe not wanting it quite as much as the others - and two other people have similar requests so there's a chance of fic I will enjoy anyhow. (I don't think I've ever done that before.)


2. Over on AO3, someone has translated a previous Yuletide fic of mine (Of Elements and Existence) into Russian. I can't read Russian, but putting it in Google Translate suggests (despite its usual incoherency) that they did a good job, as I can certainly recognise my fic coming back at me.


3. I am continuing my voyage into old film! Well, old film containing Margaret Lockwood, anyway. I have now watched her first leading role in the 1938 Carol Reed film Bank Holiday. Not very spoilery review plus gifs )
thisbluespirit: (Default)
Do you know what The Lady Vanishes is? Apart from a film I should have seen years ago; I feel deprived on behalf of a teenaged me who would have loved it to death. And apart from the oldest thing I have ever watched in my life (as far as I can think); the flickering was a culture shock to start with. Anyway, it's a perfect Yule-fandom discovered just too late and way too early, that's what it is.

Cut for brief comments and gifs )

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